French Cheese: The Process & The Palate

Cheese
I am an advocate of the growing community of cheese aficionados that believe for you to truly appreciate cheese you must have at minimum a cursory understanding of the cheese making process, it’s steps, and where what you are consuming comes from. The three main types of animals cheese comes from, and the only ones we will be concerned with here, are cows, sheep, and goats. After all cheese is simply concentrated milk with salt added so where do these three species milk vary and why do I have preferences for one over the other. Cows by far produce the most milk, but it is also the thinnest as opposed to Sheep’s milk which is the most concentrated – it has a higher percentage of fat solid, and thus flavor. Of course sheep produce far less of it. Cow’s milk has a fat content of 3.25 percent by weight, whereas sheep’s milk is 7.4 percent milk fat by weight. For some perspective as far as cow’s milk and milk fat: skimmed milk is 0 to 0.5 percent milk fat, low fat milk 1 percent, reduced fat milk 2 percent, whole milk 3.25 percent, half-and-half 10.5 to 18 percent, light whipping cream 30 to 36 percent, and heavy cream 36 to 40 percent milk fat. There is an old adage that goat’s milk is best for drinking, cow’s for making butter, but sheep’s is the best for cheese. Generally speaking it take 6 to 12 units (either pounds or kilograms) of milk to make a unit of cheese.

Raw Milk vs. Pasteurized vs. Ultra-Pasteurized
Raw milk is just that, milk which has not been processed in any manner. It possesses all of its natural bacteria and thus makes more flavorful cheese. Raw milk will separate and curdle if left at room temperature. In the United States it is advised that raw milk should either be pasteurized or used to make cheese aged over 60 days. In many states you are unable to obtain raw milk. It will spoil in about a week.

Pasteurized milk is the best option for most people in the United States that do not have access to raw milk. Pasteurization kills dangerous pathogens, but as a result also to a great extent destroys vitamins, beneficial bacteria, texture and flavor. It will curdle if left at room temperature. Homogenized milk has been processed to break up the fat globules and force them into suspension within the milk. In an effort to prevent the separation of the milk and the cream it changes the Molecular structure which prevents it from producing a culture at room temperature. Most milk available in the United States is both pasteurized and homogenized.

In the United States we also have ultra-pasteurized and ultra-high temperature (UHT) milk. These two groups are unable to produce cheese and should be avoided. Ultra-pasteurized milk is heated to 191 degrees and UHT to 280 degrees Fahrenheit. Unfortunately these processes are used on a lot of organic milks as they are more fragile and susceptible to slower retail sales.

Ripening the Milk
You can pick up most any professional cheese making book, or visit a website, and they will all basically show you the same eight steps in making cheese outlined by professor Kosikowski, the first of these is ripening the milk. This first step involves two interrelated functions acidification and coagulation. Starting with the freshest milk possible, ideally from the most recent milking, a starter culture is added. Traditionally this was done by adding a bit of soured milk from the day before. It is of course still possible to make cheese according to the traditional method, however it is much more difficult and time consuming. It is much more common, nearly universal, that cheese makers use freeze-dried starter cultures containing the beneficial bacteria. These starter cultures offer the cheese maker predictability and consistency.

Coagulation is the process which turns milk into the solid which makes cheese possible. Traditionally animal Rennets are used which are extracted from the stomach of young ruminants. Today there is also a vegetarian option with the rennet coming from various plants, most commonly the cardoon thistle. Rennet induced coagulation takes from half an hour to an hour depending upon the cheese recipe, the temperature, and the kind of coagulant used.

Cutting the Curds
Ince the curds have formed a regular mass they will begin to expel the whey, which is mostly water, as they contract. The greater the surface area of the curds, the more whey they will expel. This is precisely the logic behind cutting the curds. To produce a softer cheese with more moisture content the curds are cut larger, likewise for a harder cheese they are cut small.
The curds should be cut to a consistent size so that they yield a consistent texture and moisture content. Many cheese makers use wires stretched in a metal frame called a harp. The cheese maker will pass the hard through the mass of curd in one direction and then again at the perpendicular.

Cooking and Holding
This third step involves some amount of heating the curds, hence cooking them, and allowing them to rest while the effects of acidification, heating, and cutting runs its course. It is crucial to watch your curds carefully during this step as the smaller curds will get hotter. Due to this is one of several reasons consistent curd size is so important.

Heating the curds is done slowly to prevent them from developing a hard outer skin. Oftentimes they are carefully stirred to aid in whey expulsion and prevent them from sticking. Commercial cheese makers usually employ large stainless steel vats with hollow walls through which hot water circulates to gently warm the curds. The harder the cheese the more it is cooked at higher temperatures and more it is stirred. Sometimes washing the curds is employed. In which case some of the whey is drained and replaced with water. This procedure lowers the acidification of the bath while adding moisture to the curds.

Dipping and Draining
Dipping is when you carefully scoop out the curds to transfer them to a draining vessel or mold. Another way of draining is to open a valve at the bottom edge of the cheese vat. Soft curds will take on the shape of the draining vessel in a mass.

Knitting
The curds in this stage fuse together to form a uniform consistency. Knitting can happen in the vat, mold, cheese press, or draining vessel.

Pressing
Over a few hours or a few days varying degrees of pressure are applied to the curds until the desired moisture content, density, and texture of the cheese is achieved. The softer the cheese the more gradually it is drained with little to no pressure. Sometimes this is referred to as being pressed under their own weight. Conversely harder cheeses will have weights placed on top of them or other pressing measures.

Salting
Salt is the major ingredient added to cheese to control moisture content, bacteria growth as well as for taste. This may be applied in two ways: wet and dry. In dry salting the salt is applied directly to the curd mass, often before pressing. Wet salting, also known as brining, is when the cheese is placed in a saltwater solution for anytime from several hours to several days.

Curing
Curing is a term used for a multitude of special procedures used for desired effects during aging. Some of these are: rubbing, brushing, spraying, wrapping in cloth or leaves, regular turning, etc. This is where the aging process is employed from immediately ready for consumption to several years. In general the harder cheeses are aged longer, for instance true Parmesans are aged 3 to 4 years.

Affinage
Traditional cheese makers relied on special ripeners (affineurs) for their cheese which could be immediately ready, while some might need days or even months to reach their ideal ripeness. This relationship is still in effect in many old world instances for example with Roquefort. Affinage is about nurturing the cheese to bring about its ideal ripeness. There are numerous variables the affineur must control including: setup of the cheese cave, temperature, humidity, duration of aging, and the treatments employed. There is quite some debate over the validity of the craft. Opinions run from not screwing up the cheese to you can’t save a poorly made cheese but you could ruin a good one to you can make a good cheese great.

Cheese Types
There are multiple ways to consider cheese types by fat content, by water content, by aging period. Americans have a multitude of categories which the American Cheese Society breaks them up into. There are some basic categories however as follows:
Fresh – Unaged, unmolded, unpressed. What is commonly referred to as tub cheese.
Chèvre – Goat’s milk soft-ripened Loire valley style cheeses. An example is Selles-sur-Cher.
Bloomy Rind – Also known as soft ripened. Unpressed cheeses produced from the curds being gently ladled into a mold. An example is Brie or Camembert.
Washed Rind – These are often slimy on the outside, melting on the inside, mild tasting and stinky. A prime example of this type is Epoisses. They can also be semi-hard with strong flavors.
Natural Rind – Any cheese for which the rind is allowed to develop on its own without special treatments. Blues are actually a member of this group.
Uncooked, Pressed – These are semi-hard and hard cheeses that feature pressing. Examples of these are Cantal, and Laguiole.
Cooked, Pressed – These are hard aged alpine style cheeses. An example is Comte or Gruyere.
Blue – A large class of cheeses who a categorized by their blue-green mold. Most of these molds run through the interior (the paste) while a few only bare the mold on the outside. A famous example is Roquefort.

Tasting Cheese
The very first thing you should consider doing is to slow down and really taste it, smell it, touch the cheese. Be certain your palate is clear, your nose is ready. Americans in general shy away from funky smells. With great cheese expect some smells that you are used to shunning. Get a good smell of the cheese. hold the cut slice of cheese right up to your nose. Be sure your hands are clean and unscented, perfume or even scented soap or hand cleanser can effect your appreciation.

Look and examine the cheese closely. Look at the rind and take note of the color, the texture, any imperfections. Some cheeses that look bad taste great, so know what you are looking for. Touch the cheese and give it a poke. Take note of the consistency, how did the knife go through the cheese. Is it soft, meaty, brittle?

Finally taste the cheese, yes this is the moment you’ve been waiting for. Always start with a thin slice, how does it stimulate your tongue and get your juices flowing, take note of the evolution of flavors and finally the finish. Shutting your eyes when first tasting a new cheese really does shut out other distractions, so you can become one with the cheese. Take note of the flavor – sweet, salty, bitter, sour, but also the texture or mouthfeel. Is it buttery and smooth or is it dry and crumbling or gooey and runny?

When serving cheese there are some general guidelines you should follow, especially if it is for your cliché wine and cheese tasting party:
• Cheese should always be cut fresh – the air begins the oxidation process be which the cheese loses its aromas, taste and not to mention begins drying it out. The longer you wait the more you lose.
• Trim all leftovers carefully.
• Always serve cheese at room temperature – the cold diminishes the cheeses flavor and aroma, this is the most common mistake people make. Remove cheese from the refrigerator at least one hour prior to tasting.
• If possible use a separate knife for each cheese, if not possible at least use a different knife for each type of cheese we discussed earlier. If this is not possible clean the knife well between cheeses so as not to mingle flavors.
• Small wedges with some of the rind is the objective when slicing cheese. This isn’t always possible with crumbly blues or with gooey cheeses.

The cheese plate or the progression needs to be considered. The traditional classic progression is from simpler to complex, young to older, light to heavy, mild to strong. I always recommend following this progression. What should I serve with my cheese? Keep it simple. The oldest and best accompaniment is bread. Bread is a useful palate cleanser between cheese while also being the ideal complement to fine cheeses. Some classic bread options include:
• Classic baguette
• Olive breads
• Tuscan rounds
• Focaccia, plain or with herbs
• Flatbreads or crackers that are fairly neutral in flavor.
Robust cheeses such as cheddar go with the more strongly flavored bread. Mild bread like the baguette are ideal for the subtler cheeses. Strong cheeses such as the blues can support a sweet but bread.

Fruit and vegetables also make great accompaniments. The sweet juiciness of many fruits make a fine contrast to the saltiness of your cheese. Consider using fresh figs, apples, grapes, as well as dried apricots, preserves and chutneys for starters. Select vegetables as well provide the contrast when putting together a cheese tasting. For a luncheon try fresh vegetables such as carrots, radishes, zucchini, bell peppers, etc. You can also consider pickled vegetables to go along with your cheese and bread. Make certain though not to overwhelm the lighter more mild cheeses.

With the rise in charcuterie in America there are more and more meats available to add to your cheese tasting. When in France stop in the neighborhood charcuterie and pick out some sauccion. Make certain again you don’t overwhelm the lighter cheeses. When home consider prosciutto, sopressata, capitols, or salami. For a touch more you can consider Spanish jamon serrano or chorizo, German speck, or Virginia country ham.

French Flag

In the early days of the French Revolution, the three colours were initially brought together in the form of a cockade. In July 1789, just before the taking of the Bastille, Paris was in a state of high agitation. A militia was formed; its distinctive sign was a two-colour cockade made up of the ancient colours of Paris, blue and red. On July 17, Louis XVI came to Paris to recognize the new National Guard, sporting the blue and red cockade, to which the Commander of the Guard, Marquis de Lafayette, it appears, had added the royal white.

The law of 27 pluviôse, Year II (February 15, 1794), established the “tricolore” as the national flag. At the recommendation of the painter Jacques-Louis David, the law stipulated that the blue should be flown nearest the flagstaff.

Throughout the 19th century, the blue of the legitimist royalists contended with the three colours inherited from the Revolution. The white flag was re-introduced under the Restoration, but King Louis-Philippe reinstated the “tricolore,” surmounting it with the Gallic rooster.

During the Revolution of 1848, the provisional government adopted the “tricolore,” but the people on the barricades brandished a red flag to signal their revolt.

Under the Third Republic, a consensus gradually emerged around the three colours. From 1880 onwards, the presentation of the colours to the armed forces, each July 14, came to be a moment of high patriotic fervour.

While the Comte de Chambord, claimant to the French throne, never accepted the “tricolore,” the royalists ended up rallying round the national flag at the time of the First World War.

The constitutions of 1946 and 1958 (article 2) instituted the “blue, white and red” flag as the national emblem of the Republic.

Today, the French flag can be seen on all public buildings. It is flown on the occasion of national commemorations, and it is honoured according to a very precisely-defined ceremony. The French flag frequently serves as a backdrop when the French President addresses the public. Depending on the circumstances, it may be accompanied by the European flag or the flag of another country.

Feast of the Federations (Bastille Day – July 14th)

Paris was in a state of high agitation in the early months of the French revolution. In Spring 1789, the Estates-General refused to dissolve, transforming itself instead into a constituent National Assembly. In July, King Louis XVI called in fresh troops and dismissed his popular Minister, Jacques Necker. On the morning of July 14, the people of Paris seized weapons from the armoury at the Invalides and marched in the direction of an ancient Royal fortress, the Bastille. After a bloody round of firing, the crowd broke into the Bastille and released the handful of prisoners held there.

The storming of the Bastille signaled the first victory of the people of Paris against a symbol of the “Ancien Régime” (Old Regime). Indeed, the edifice was razed to the ground in the months that followed.

The Fête de la Fédération (“Feast of the Federations”) held on July 14, 1790, celebrated with great pomp the first Anniversary of the insurrection. In Paris, Charles Maurice de Talleyrand-Périgord held Mass at the Altar of the Fatherland, on the Champ de Mars.

The commemoration of July 14 was abandoned in subsequent years. Under the Third Republic, however, leaders (particularly Léon Gambetta) cast about for ways to celebrate the foundations of the regime. A Deputy for the Seine Department, Benjamin Raspail, moved that July 14 be named the national holiday of the Republic, and Parliament passed an act to that effect on July 6, 1880.

From the outset, the emphasis was on the patriotic and military character of the event, expressing France’s recovery from the defeat of 1870. Every commune or locality in France held its own celebration, starting with a torchlight parade on the evening of the 13th. The next morning, church bells or gun salutes announced the military parade, which is followed by a luncheon, spectacles and games, with dancing and fireworks ending the day.

Coming after the austerity of the 1914-18 war, the 14th of July 1919 was the occasion of a great victory celebration. Similarly, July 14, 1945 was preceded by three days of civic rejoicing.

Today, the festivities of July 14 are as popular as ever. In Paris, the traditional military parade on the Champs-Elysées is a meticulously planned spectacle, and dancing and fireworks displays or special illuminations are organized all over the country.

The successive Presidents of the Fifth Republic have modified the day’s events slightly. For example, in order to restore the tradition of revolutionary Paris, President Giscard d’Estaing re-routed the military parade, marching the troops from the Place de la Bastille to the Place de la République. Starting in 1980, however, the parade returned to the Champs-Elysées.

Under President François Mitterrand, the “La Marseillaise” night-time parade organized by Jean-Paul Goude on July 14, 1989, was watched by numerous foreign heads of State, and was a high point in the celebrations of the bicentenary of the French Revolution.

In 1994, German soldiers serving in the Eurocorps took part in the parade on the Champs-Elysées, symbolizing the reconciliation between the two Nations.

In 2007, for the first time, soldiers from 27 European countries participated in the parade. In 2009, Indian soldiers were invited to take part in the ceremonies and the military parade was opened by a contingent of 400 members of the Indian Army, Navy and Air Force. In 2010, fourteen African countries participated in the parade as part of celebrations marking the 50th anniversary of their independence.

In 2007, 2008 and 2009, hundreds of “heroes” and anonymous “victims” were invited to the reception traditionally held in the park of the Elysée after the parade. In 2010, in the context of the economic and financial crisis, President Nicolas Sarkozy decided to cancel the “garden-party” in order to demonstrate the efforts of the Elysée to properly manage public funds. This was also the case in 2011 and later in 2012, as requested by President François Hollande.

A Soldier’s Life: Escoffier & The Brigade de Cuisine

The art of cuisine is perhaps one of the most useful forms of diplomacy.”
~ Auguste Escoffier

On October 28, 1846 one of the most important French chefs the world has ever known was born Georges Auguste Escoffier. He modernized and simplified the French culinary system. Among his achievements was codifying the five mother sauces of French cuisine. He also instituted a military hierarchy into the kitchen, a system that is followed to this day worldwide with few changes. This brigade de cuisine is a structured team system which delegates different responsibilities to different team members who specialize in certain tasks.

Escoffier began his apprenticeship aged 12 at his uncle’s restaurant in Nice, France. At 19 he moved to Paris and continued his apprenticeship. He was the first great chef that worked his entire career in the public sphere, as opposed to working for royalty. Among his customers were kings, heads of state, and stars on the London and Paris opera. He became known as, “the chef of kings and King of chefs”.

His belief, “above all, keep it simple,” led to him revolutionizing cuisine and a gastronomic philosophy of highly refined simplicity. Escoffier established sanitation standards that up until that point had been unheard of in the kitchen. He was an expert in food science of the time as well as preservation. He was one of the first to develop bottled sauces for the homemaker. Escoffier was dedicated to the belief that food service professionals should improve their skills through education. He wrote multiple books to this effect including Le Guide Culinaire.

The brigade system was instituted in the 19th century at London’s Savoy Hotel. The size and scope will vary according to the size of the kitchen and the establishment. In a large hotel kitchen, especially during Escoffier’s age, a brigade would consist of the following:

Executive Chef – An administrator in charge of all kitchen operations including menu planing, costing and scheduling.
Chef de Cuisine – A active cook who works in the kitchen during preparation periods as well as service. Also responsible for ordering and other administrative duties.
Sous Chef – Second in command under the chef de cuisine. Supervises all the cooks. Oversees the preparation of food and service in the chef de cuisine’s absence.
Chef de Partie – In charge of a specific station.
Commis – Assistants to the chef de partie.
Apprentice – Assists the commis. Common in Europe.

Stations:
Saucier – Responsible for the preparation of all stocks and sauces.
Rotisseur – Responsible for all roasts. Oversaw next two positions.
Grillardin – Responsible for all grilled meats.
Friturier – Responsible for frying everything from French fries to oysters and tempura.
Poissonier – Responsible for the cleaning and preparation of all fish.
Entremetier – Responsible for the “entrance” to the meal, a small lighter first course. Oversaw next two positions.
Potager – Responsible for making soups.
Legumier – Responsible for all vegetable hot dishes and sides.
Garde Manger – Responsible for the preparation of all cold dishes including hors d’oeuvres, terrines, pates, etc.
Patissier – Pastry chef. Responsible for the creation and presentation of all desserts.
Boulanger – Baker. Responsible for all bread and breakfast pastries.

Stages of Courtly Love

Stages of courtly love
(Adapted from Barbara Tuchman)

• Attraction to the lady, usually via eyes/glance
• Worship of the lady from afar
• Declaration of passionate devotion
• Virtuous rejection by the lady
• Renewed wooing with oaths of virtue and eternal fealty
• Moans of approaching death from unsatisfied desire (and other physical manifestations of lovesickness)
• Heroic deeds of valor which win the lady’s heart
• Consummation of the secret love
• Endless adventures and subterfuges avoiding detection

La Marseillaise

Following the French declaration of war on Austria in 1792, during the night of April 25-26, Rouget de Lisle, a French officer stationed in Strasbourg, composed the “Battle Song of the Army of the Rhine” in the home of citizen Dietrich, the Mayor of the city.

The song was taken up by the “fédérés” (volunteers) from Marseilles who took part in the Tuileries insurrection on August 10, 1792. It proved so successful it was declared a national song on July 14, 1795.

Banned under the Empire and the Restoration, La Marseillaise was reinstated by the July Revolution of 1830, and Hector Berlioz orchestrated the music, dedicating his composition to Rouget de Lisle.

The Third Republic (1879) established it as the French national anthem, and in 1887 an “official version” was adopted by the Ministry of War following the recommendation of a specially-appointed commission. On July 14, 1915, under the Third Republic, the ashes of Rouget de Lisle were transferred to Les Invalides.

In September 1944, a circular issued by the Ministry of Education called for La Marseillaise to be sung in schools in order “to celebrate our liberation and our martyrs.”

Its status as the national anthem was reaffirmed in the 1946 and 1958 Constitutions (article 2).

La Voisin

In a darkened room stands a 40-year-old woman named Catherine Monvoisin. Her figure is lit only by torches held by the faceless men standing in front of her, men who are sentencing her to death by fire. It is the 17th century, where such a death sentence is an unusual ending to someone’s life. But Catherine is an unusual woman.

Catherine was the wife of a silk merchant and jeweler and lived a life of comfort in Parisian Society. She was a philanthropist, entrepreneur, fortune teller, mother, and art lover. But she was also a professional poisoner, alleged provider of sorceries, and an alleged witch who plunged the French aristocracy into turmoil, and even tried to kill a king.

She was more famously known as “La Voisin” and was a central figure in “L’affaire des Poisons” or the “Affair of the Poisons”. Catherine controlled a wide network of fortune-tellers from her position in Paris society. She provided poison, abortion, aphrodisiacs, arranged black masses, and even claimed to offer magical services.

She was so famous that she even drew clients from the aristocracy, who could afford to pay her high prices which funded her lavish lifestyle. Her organization, in performing commissioned black magic and murder by poison, took thousands of lives.

The claimed alchemist Adam Lesage, one of the lovers of Catherine, told of her murdering her own husband, an accusation she denied. It is believed that throughout her life, she might have been responsible for the deaths of around 2,500 infants due to her poisoning. However, throughout this time she remained a high-profile socialite, and her sheer charm made no one suspect her.

Sources: Bipin Dimri

The Knights Templar

On January 13, 1128, Pope Honorius II declared the Knights Templar to be an army of God.

Led by the Frenchman Hughes de Payens, the Knights Templar organization was founded in 1118. Its self-imposed mission was to protect Christian pilgrims on their way to the Holy Land during the Crusades. The Templars took their name from the location of their headquarters, at Jerusalem’s Temple Mount.

KnightsTemplar #ArmyOfGod #PopeHonoriusII

The Battle of Agincourt

The Battle of Agincourt

It was on the 25th of October in 1415 when one of the most significant battles of the Hundred Years War took place, the Battle of the Agincourt.  The English had renewed their war effort in 1415 following several decades of relative peace and had marched 260 miles in two and a half weeks only to face a considerably larger French army.  

The English were unable to withdraw to Calais as the French blocked their path, so instead they fought and even their King, Henry V, participated in hand-to-hand fighting.  The English numbered around 8,000 knights, but around 80% were archers armed with English longbows.  The French outnumbered the English considerably, but they were weighed down by heavy armour and their cavalry were slowed down by the heavy clay soil on the battlefield that day.

The English army won the battle, largely due to the military superiority of the longbow.  It is estimated that around 6,000- 8,000 French soldiers were killed, and only around six-hundred English soldiers died.  The Battle of Agincourt is one England’s greatest military victories.